Sunday, 29 October 2017

A Review of The Island at the End of Everything

The Island at the End of Everything is a middle grade novel by Kiran Millwood Hargrave, who also wrote The Girl of Ink and Stars. Amihan Tala has lived her whole life on Culion Island in the Philippines, with her mother, who has leprosy. After a decision is made to turn the island into a dedicated leprosy colony, Ami is sent away to an orphanage on a nearby island. There she meets Mariposa, a girl named for butterflies, and the two of them set off to return to her island.

My word, how is this a book for children? It's about a colony for people with leprosy, that was an actual place! I don't mean that because children shouldn't read about things like this, because they absolutely should. I just mean that if you're expecting a light fantasy adventure more in line with Hargrave's first book, you're in for a surprise. And a treat, because this book is exceptional, even better then Hargrave's first.

After loving The Girl of Ink and Stars, I admit I overlooked this one slightly in shops. I assumed that it would be more of the same. An island, a corrupt government official, a girl on an adventure home. I also assumed there would be fantasy elements, even though that is not stated anywhere. But it couldn't be more different, showing Hargrave's range as a writer, but also her style is coming through.

As in Hargrave's first novel, female friendships are important. Mari is the first person on her new island, and possibly one of the first in her life, to treat Ami kindly, something which throws Ami off at first. There's a lack of any romance here, implied or otherwise, and I couldn't help but wonder is something might be between Ami and Mari when they get older. And I did like how this one focuses on a relationship between mother and daughter, too. The one thing about Hargrave's characters I really like is that they act like children. They make mistakes, they get things wrong, they get irrationally angry at things.

Butterflies are often used in fiction to symbolise a lot of things. Death, love, rebirth, chaos theory. Here, they symbolise many things at once. Mr Zamora likes to keep them on display behind glass, symbolising his love of order, and showing what he'd like to do to the island - make a museum of it. The overall idea for the children of Culion is to take them somewhere where they can have a better life, giving them rebirth. Of course, the definition of better life is subjective and doesn't include the opinions of the children themselves. In it's way, Ami's journey home was her own rebirth. And at 12 years of age, they are very much in the chrysalis stage of their lives - growing and changing into who they will be. Mari's name symbolises her kind nature. And taking the children from Culion was the trigger for the rest of the events in the book - rather like the theory that a butterfly flapping it's wings in Mexico can cause a hurricane.

Absolutely recommended for everyone from confident younger readers up to adult fans of historical fiction. If any book has ever defined the term "universal appeal" it would be this one.

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