Anna and the French Kiss, Lola and the Boy Next Door and
Isla and the Happily Ever After are a trilogy of young-adult romance novels by
Stephanie Perkins. They are set in the same universe and work as a series, so
it is a good idea to read them sequentially. Anna is my favourite of the trilogy, but they were all a fun, light-hearted read.
I love how we are introduced to Anna’s hobby (watching and
reviewing movies) by page eight, and her dream is to be a film critic. Too
often, female characters can go entire books without ever having established
interests. In fact, the fact that so many of the supporting cast get their
hobbies stated so quickly (Meredith with football, Étienne with history,
Bridgette with drums and a tendency to use sesquipedalian words and Josh with
art) helps them feel like well-rounded characters before we know much about
them. I wasn’t a fan, however, of the fact that Étienne had to tell her that Paris
was famous for films. Wouldn’t she likely know that already? This is a tendency
that plays into Lola, where we find out about her wanting to be a designer from
the blurb on the back. Her best friend likes mysteries and fancies herself a
detective. It’s the little things like that that really make characters and a
story live and breath.
I was actually all ready to complain about how American
writers can never write English characters well, that we don’t really all talk
like that. But then I realised that, as an American raised in London and now
going to a school for Americans, wouldn’t Étienne naturally play up his
Britishness somewhat?
I was also going to complain about Anna complaining about
being sent away to Paris, when most people would love to have that chance. But
the reasons for her being upset were more valid that I realised. She was more
upset about her lack of choice in the matter, and quickly settles down into
enjoying Paris and all it has to offer.
Lola suffers somewhat from middle-child-of-a-trilogy
syndrome. By taking place away from the School of America in Paris, it loses
some of the charm that Anna has. Also, since we also meet Isla during Anna’s
story, and we already know her to be a shy but brave individual, I found myself
enjoying her story more. Since Anna is involved in Lola, someone who reads
these sequentially may find themselves more interested in Anna’s story then in
Lola’s. Isla brings back the couples from the previous two books, but they
never seem to overshadow Isla’s story, possibly because we knew both her and
her love interest from earlier.
Lola touches on darker subjects then Anna – drug use, having
an older boyfriend – but it still retains, at its heart, the sweet love story
feel. I did like the descriptions of Lola’s outfits every time. Some people
could take those or leave them, but I loved them, and they were perfectly
fitting for a designer.
Isla is a slow build. The conflict is not in her and Josh getting
together, but with something that happens later. It does mean that the story
feels slow to get going. During her story, we see New York City, showing us a place many
of us would love to visit. Over the course of the book, she also visits
Barcelona. I like it when books evocate places like that, or Paris say. It
feels like you are travelling to the place along with the characters, like they’re
showing you around. Or is that just me?
I mentioned earlier that I like how both Anna and Lola have
established dreams and hobbies fairly early on, which is why I was disappointed
that we never find out Isla’s ambitions or interests except for reading, only
about her crush on Josh. More so then the other two, her story revolves around
her romance. Although I do think it’s important to remind people that not
everyone has their life mapped out by eighteen.
The descriptions of what it feels like to have a crush are
some of the most well-written depictions of that feeling I have ever read.
Stephanie Perkins talks in great detail about how hyper-aware you become of
every little thing that they do.
I found a lack of positive female friendships in Anna a
disappointment, many of the ones that were there was tinged with some level of
bitchiness or jealousy. Not to spoil the end, however, but some of them do work
out nicely. Lola, however, improves on this, giving her two strong female
relationships throughout the book – Anna and Lindsey. Isla, however, doesn’t
have many friends who are girls, but she does make some progress with both her ex-best friend and her younger sister over the course of the books.
All three girls have something in common – they act like
teenagers, with all that applies. Occasionally selfish or stupid, they
sometimes make the wrong decisions. But this is why they are so relatable, and
all three have their hearts in the right place.
I ran into a few, what I consider factual inaccuracies. Many
Parisians don’t speak English well! You don’t get inside Notre Dame without
buying a ticket and waiting in a queue for ages! But they weren’t common enough
to spoil my enjoyment of the book.
I would recommend this series to anyone who likes a good
romance, even if they wouldn’t normally choose a young adult one. Anyone who
has ever experiences feelings of being in love should identify with what these
characters go through. Also, can I just say I love their front covers?
No comments:
Post a Comment